| 1970 |
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| 1971 Self-Portrait by Janez Logar (mechanographic technique 1795 x 1378). |
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| 1970 Osaka 1-2-3 by John Whitney (Computer Graphic) 3 min b&w |
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| Rotation, Projektionen (1970-1971), created by Herbert W. Franke (Germany). |
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| William Fetter's "Norelco TV Commercial" This may have been the first perspective computer graphics television comercial. (1970). |
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| 1971 The Computer in Art by Frederick Praegaer. Early development of computer art from the then Director of the Institute of Contemporary Arts. |
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| 1970 Spinning Gazebo by Clive Richards. Three-dimensional gazebo rotating, first computer animation produced in a British art school. |
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| DEC developed the PDP-11 as a family of 16-bit minicomputers that could grow with customers as their computing needs increased. |
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| 1972 |
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| 1972 Matrix III by John Whitney (Computer Graphics) 11 min Color |
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| 1972 Symmetrics by Stan Vanderbeek |
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| 1972 Googolplex (5 min US) movie by Lillian Schwartz. With its synchronised tribal rhythms and flickering visual white noise, Googolplex is a hypnotic film. |
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| 1972 T.V.C. 87892 by Edvard Zajec (computer graphic, 270 x 300 mm). |
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| Serie Tiergesichter, created by Herbert W. Franke (Germany). |
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| In 1972 Seymour Cray, the "father of supercomputing," founded Cray Research. |
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| 1975 |
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| 1975 Arabesque by John Whitney (Computer Graphics) 7 min Color |
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| 1970s mid A face created using PICASO by John Vince, first packages for artists (Picture Computer Algorithms Subroutine Orientated). |
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| 1975 Color raster by Herbert W Franke. |
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| 1975 Farbraster 75 by Herbert W Franke (color print) |
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| Serie Grün, created by Herbert W. Franke (Germany). |
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| Albert Einstein, created by Herbert W. Franke (Germany). |
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| 1975 5 images out of the 196 squares series by Vera Molnar. |
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